Selected Works — ANNA DORN

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M.I.A.‘s “AIM” Flickers With Brilliance, But Reflects Shadow of Her True Potential

DJBOOTH

I’M LIKE, SO GAY DUDE

MEDIUM

Who Run LA :: DJ/Producer Asama Maroof of Fade to Mind's Nguzunguzu

The Hundreds

Writers Read:
Play it As it Lays
by Joan Didion

LUNCH TICKET

Name One Genius That Ain’t Crazy: Professor McCune On Kanye West And Pop Culture Diagnoses

UPROXX

Drift Away ::
Best Instrumental
Tracks of 2016

The Hundreds

Meet Kamaiyah, Oakland’s Newest
Rap Queen

THE HUNDREDS

The Monster Aesthetic: What Happens When You Mix Drake &
Four Loko?

THE HUNDREDS

A Conversation w/ Analog Synth Queens Suzanne Ciani & Kaitlyn Aurelia Smith

THE HUNDREDS

How Electronic/R&B Musician Jessy Lanza’s Setbacks Helped
Evolve Her Sound

THE HUNDREDS

Actions Speak Louder Than Words ::
The Mind of AmirSaysNothing

THE HUNDREDS

“Expression Changes Constantly”: An Interview with Jlin

PASSION OF THE WEIS

Why Are Women Obsessed With True Crime?

THE hairpin

Andy Cohen and the Gay Male Gaze

THE HAIRPIN

Kaleidoscope Dreams :: Duckwrth’s Unlikely (and ‘Uugly’) Rise to Stardom

THE HUNDREDS

Womanist MC Junglepussy Has to Shine the Light

Unrated

Fandom is Feminist Queering Boy-band Obsession in "Grace and the Fever"

bitchmedia

Top 10 Nastiest Women in Hip-Hop Right Now

DJBOOTH

Revisiting the Hypnotic Work of Jason Rhoades

THE HUNDREDS

Bedroom Rap:
An Introduction

DJBOOTH

My Neck, My Back, My Pussy, and My Life -
Take Two

VICE

Being
SOSUPERSAM

THE HUNDREDS

WHO RUN LA :: Synth-Pop Musician Nite Jewel on Her New Album ‘Liquid Cool’

THe Hundreds